Selected publications from CNMAT with a focus on new music composition, performance and perception:
2007
CNMAT Information Infrastructure,
, International Computer Music Conference, 27/09/2007, Volume 1, Copenhagen, Denmark, p.325-328, (2007)
Abstract | PDF
Design and Implementation of CNMAT's Pedagogical Software,
, International Computer Music Conference, 27/08/2007, Volume 2, Copenhagen, Denmark, p.57-60, (2007)
Abstract | PDF
Real-time Analysis of Sensory Dissonance,
, International Computer Music Conference, 27/08/2007, Copenhagen, Denmark, (2007)
Abstract
Ten Years of Tablet Musical Interfaces at CNMAT,
, New Interfaces for Musical Expression, 07/06/2007, New York, p.100-105, (2007)
Abstract | PDF
2006
Timbre as a Psychoacoustic Parameter for Harmonic Analysis,
, Rocky Mountain Society for Music Theory, 2006/03/31, Denver, CO, p.N/A, (2006)
Abstract
Convergent Voices: Perception in Lutoslawski, Berio, Boulez,
, 6th annual GAMMA-UT conference, 2006/03/25, University of Texas at Austin, p.no publication, (2006)
Abstract
An Enactive Approach to Computer Music Performance,
, Le Feedback dans la Creation Musical, Lyon, France, p.93-98, (2006)
Abstract | PDF
Augmenting the Cello,
, International Conference on New Interfaces for Musical Expression, Paris, France, p.409-413, (2006)
Abstract | Full-Text
2005
Timbre as a Psychoacoustic Parameter for Harmonic Analysis and Composition,
, International Computer Music Conference, 2005/09/05, Barcelona, Spain, p.825-828, (2005)
Abstract
Structuring timbre in an octatonic context: the music of Bohuslav Martinu,
, Music Theory Society of New York State, New York, NY, (2005)
Abstract
Structuring timbre in an octatonic context: the music of Bohuslav Martinu,
, Music Theory Southeast, Miami, FL, (2005)
2003
Characterizing and Controlling Musical Material Intuitively with Geometric Models,
, Proceedings of the 2003 Conference on New interfaces for Musical Expression, Montreal, Canada, p.54-62, (2003)
Abstract | PDF
2002
Problems and Prospects for Intimate Musical Control of Computers,
, Computer Music Journal, Volume 26, Issue 3, p.11-22, (2002)
Abstract | PDF
Situated Trio: An Interactive Live Performance for a Hexaphonic Guitarist and Two Computer Musicians with Expressive Controllers,
, International Conference on New Interfaces for Musical Expression (NIME), Dublin, Ireland, p.171-173, (2002)
Abstract | Full-Text | PDF
2000
Music as HandWerk, the middle way between Vorhandenheit and Zuhandenheit,
, International Computer Music Conference, Berlin, Germany, p.5-7, (2000)
Abstract | PDF
1998
Microstructures of Feel, Macrostructures of Sound: Embodied Cognition in West African and African-American Musics,
, Technology and the Arts in the Graduate Division, Berkeley, (1998)
Preparation for Improvised Performance in Collaboration with a Khyal Singer,
, International Computer Music Conference, Ann Arbor, Michigan, p.497-503, (1998)
Abstract | Full-Text
1996
Music And Audio Technology Projects To Stir Your Imagination,
, Computer Music Journal, Volume 20, Issue 2, p.4-4, (1996)
Full-Text
On Sonic Art,
, On Sonic Art, (1996)
Abstract
1992
1991
Computermusik in der Bay Area,
, Neue Zeitschift für Musik, Issue October, (1991)